Newsflash!

Yes Virginia, it's done!

curtiz banner final

 

 

My Michael Curtiz manuscript is at the publisher with the book scheduled for publication in 2017.  “Done” is a relative term as there is still a considerable distance to travel before I am holding a completed book in my hand, but the work itself is completed and it’s a good feeling.  With that, I will be returning to my blog and updating the web site on what is going on with me and the world of classic film.

 

ONE WAY STREET

Alan's sporadic takes on Film Noir and other aspects of pop culture

To inaugurate my new and improved ONE WAY STREET blog and web site, I am posting my introduction to THE BIG COMBO and PITFALL double feature when I presented on Wednesday night at the Million Dollar Theatre in downtown L.A. While I was crossing the street at the corner of 3rd, I gazed across Broadway at the Bradbury building and realized that this was where Edmond O'Brien, wracked with pain from luminous poisoning, staggered to his rendezvous with destiny in D.O.A. This was also where Lon Chaney Jr., recently revived from the San Quentin gas chamber, murderously prowled for "Squeemy Ellis" in Indestructible Man and where Jack Lemmon parked his T-Bird filled with ladders, paint, and Romy Schneider to deface a billboard in Good Neighbor Sam. This was also the same real estate where Harrison Ford was assigned to hunt replicants in Blade Runner (1982). I was treading on cinematic hallowed...
Million Dollar Theatre
©Alan K. Rode

Posted by on in Film Noir Preservation
Although One Way Street has been on an extended hiatus because of my on-going Michael Curtiz biography and a medley of other unapproved excuses, I have returned - a cyber-Lazarus - to proselytize for the cause of film preservation, specifically film noir preservation. It’s been almost a decade since the Film Noir Foundation was formulated around Eddie Muller’s kitchen table. The Foundation came into existence partly due to the collective frustration of not being able to locate desired films to screen at the annual film noir festival in Los Angeles and the recently constituted Noir City fest in San Francisco. The deeper motivation was the fear that these wonderful, darkly etched movies might simply disappear. Forever. 35mm movies are potential kin to the dinosaurs. Bluntly put, there is no universal system or program towards preserving our cinematic heritage. When a film is “lost” or beyond technical redemption; a portion of our...
soundoffury
©Alan K. Rode
For those of you who are not Facebook habitues, I wanted to post a link about the upcoming Arthur Lyons Film Noir Festival next week 13-16 May in Palm Springs at the Camelot Theatres. It is our tenth anniversary and with a line up of rare films and guest stars such as Ernest Borgnine, June Lockhart, Ann Robinson, Julie Garfield and Tommy Cook, this year's fest will be landmark event. Hope to see you there! ...
arthur lyons
©Alan K. Rode

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